PHOTO © CÉDRIC BIHR | LOOK – BRUNELLO CUCINELLI, SHOES – TOD’S
Immediate boarding with:
Audemars Piguet, Blancpain,
Breguet, Bvlgari, Cartier,
Chanel, Chopard, Citizen,
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Richard Mille, Rolex, TAG
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Sorry Isaac.
225 years ago, Abraham-Louis Breguet outsmarted Isaac
Newton’s law of gravity by inventing the Tourbillon.
His innovation is now used by watchmakers around the
world. Ever since, Breguet has continued forging the way.
breguet.com
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Contents
11
EDITORIAL
Time multiplier
15
BREGUET
16
ROLEX
22
CHOPARD
24
BVLGARI
26
SPORT
Conquest of the Skies
29
TAG HEUER
33
CARTIER
36
AUDEMARS PIGUET
38
CLASSIC
How the Wrist Reinvented the Watch
41
LOUIS VUITTON
42
PANERAI
44
GALLERY
Up in the air
47
CHANEL
48
VAN CLEEF & ARPELS
50
ETHICS
Towards sustainable luxury
53
GLASHÜTTE ORIGINAL
55
CITIZEN
56
TECH
The Time of Travel
59
BLANCPAIN
61
RADO
63
TIFFANY & CO.
65
ZENITH
66
JAEGER-LECOULTRE
USA Edition – Sunday October 25 2026
This advertising supplement is produced by Watch Your Time Holding and did not involve
the reporting or editorial staff of The New York Times.
Reproduction, even partial, of material published in Watch Your Time is strictly prohibited.
All rights reserved in the USA. All images, photos, and illustrations reproduced in this
advertising supplement are the responsibility of the Watch Brands.
WATCHYOURTIME .COM
Born and raised in the Pyrenees, France, Cédric
Bihr completed a degree in neuroscience in Paris
in his early twenties. While on his way to becom-
ing a researcher specialising in whale behaviour,
he discovered a love of writing through a master’s
degree in scientific journalism. He has worked for
National Geographic, Libération and Terre Sau-
vage, following researchers in the Amazon rain-
forest, searching for whales in Canada and doc-
umenting life in a floating village in Cambodia.
Carrying a camera everywhere he goes, it was on
these assignments that Cédric discovered how to
capture the other side of the story. While maintain-
ing a deep connection to reportage and his scientific background, he has since photographed
fashion, portraiture and advertising. He now divides his time between New York, Paris and
Los Angeles. Cédric Bihr has been published in Le Monde d’Hermès, M le Monde, Vogue, 25
Magazine, Harper’s Bazaar, HTSI FINANCIAL TIMES, New York Times Style Magazine, Wallpaper,
Monocle and has shot advertising campaigns for Hermès, Chaumet, Fred, Boucheron…
The Watch Your Time 2026 shoot team: Photographer: Cédric Bihr, 1st Assistant: Pablo
Azevedo, 2nd Assistant: Stan Rey Grange, 3rd Assistant: Loïc Zybach – Videographer: Ivan
Isker – Stylist: Fernando Damasceno, Assistant: Patrycja Matysiak – Hair & Make Up: Camille
Arnaud – Models: Nia Liebler and Elliott Reeder, Casting Director: D.A. Casting – Set Design:
hellodecogva – Retouching: Purple Grain – Production: Milana Keller @eightysixparis.
Photographic compositions by Émilie Erbin @JR Associée, pages 44 to 46 – Creative Direc-
tor: Mohamed Ali Saadi – Set design: Marie Noëlle Perriaud.
IMPRESSUM: Publisher-founder Christian Llavall-Ubach – Publication Director Isabelle
Boudringhin, editions@watchyourtime.com – Watch Consultant Éric Dumatin – Editor-
in-Chief Marie Le Berre – Editorial team Arthur Frydman, James Gurney, Roberta Naas,
Paloma Reccio, Maya Castel, Christophe Roulet, Victoria Gomelsky – Translation James
Gurney – Graphic Design Graphic StudioFunk, Geneva – Photoengraving Bombie, Geneva
– Printed in the EU (TBC).
CHOPARD Alpine Eagle XP TT. Alpine
Eagle, Chopard’s collection of contempo-
rary luxury sports watches, welcomes a
model with an openworked mainplate and
bridges, offering a clear view of the L.U.C
96.17-S movement, a mere 3.3 mm high.
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Time multiplier
rivate aviation is a perfectly tuned
machine these days with each compo-
nent precisely in its place. And the accu-
racy is striking, the quiet efficiency of a Geneva
– Los Angeles flight touching down at the exact
scheduled minute is remarkable given the distance
and the vagaries of wind and weather. The paral-
lels with fine watchmaking are drawn instinctively.
The earliest pilot’s watches, which emerged in the
early 20th century, were born of aviators’needs:
instant legibility and absolute reliability as mas-
tering the skies meant mastering time.
Business aviation, for its part, has undergone a
marked shift in recent years. Today, its real appeal
lies less in notions of luxury and comfort than in
its capacity to expand time. “People are primarily
looking to save time,” says David Alivertti, Sales
Director at Swiss Private Jet in Geneva. “This mode
of transport has also become far more democra-
tised. It is now considered just another viable
option, even if the sector remains premium.” It’s
the simplicity of arriving directly at the edge of the
tarmac, of clearing security while the luggage is
loaded. Within minutes, you are ready for depar-
ture. The long waits fall away: “If all goes smoothly,
you can be on board in a matter of minutes. Direct
flights are possible to almost any destination and
the time saved is considerable, and you leave when
you choose.”
Lunch in the sun on the terrace at the Cipriani in
Venice? A few laps in a GT car at Circuit Paul Ricard?
Several meetings in a single day? All entirely feasi-
ble. It is even possible to combine multiple desti-
nations, including those with airports not served
by commercial airlines or, at the very least, not
reachable on a single flight. Such advantages have
driven demand sharply upwards. The global fleet
of business aircraft — predominantly jets — has
grown from around 10,000 active aircraft in 2000
to approximately 22,000 in 2025. This is an his-
toric expansion, underpinned by the increasing
value placed on executive time and productivity.
On board, the atmosphere is correspondingly
more purposeful. “In the vast majority of cases,
people are working. There is always internet access.
Many use the time for meetings, though it is equally
possible to rest. Depending on the size of the air-
craft, beyond the conference table there may be a
cabin with beds.” Switzerland, meanwhile, enjoys
a strong reputation in the sector — for security,
quality of service and its strategic location. “It sits
at the crossroads of Europe’s financial and indus-
trial destinations.” ■
Editorial by Maya Castel
E D I T O R I A L
PHOTO © CÉDRIC BIHR | TROUSERS & SHIRTS – BRUNELLO CUCINELLI | TRENCH – BURBERRY
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for Any Adventure.
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GREGORY KISSLING | CEO BREGUET
Master of the Art
of Watchmaking
F O C U S
Following last year’s 250th anniver-
sary celebrations, Breguet continues
to refine its identity under new CEO
Gregory Kissling. On the menu: fresh
momentum for the Tradition collection
and a festival of tourbillons.
It is no easy balancing act. How do you keep
a watchmaker founded in 1775 relevant without
compromising the qualities that make it unique?
“The Maison Breguet draws on two and a half cen-
turies of heritage, shaped by the countless tech-
nical innovations conceived by Abraham-Louis
Breguet,” says Gregory Kissling, who became CEO
at the end of 2024. “Maintaining the delicate bal-
ance between watchmaking tradition and inno-
vation is essential.”
That symbiosis of heritage and innovation
is beautifully illustrated by the new Tradition
Seconde Rétrograde 7037 (38 mm) and Tradition
GMT 7067 (40 mm). Staying true to the collection’s
design language, itself inspired by Abraham-Louis
Breguet’s Souscription and montres à tact watches
of the late eighteenth century, both models place
the movement on the dial side, offering an entirely
different perspective on the mechanics within.
These new models also place renewed empha-
sis on movement aesthetics. Breguet intro-
duces an Atomic Layer Deposition (ALD) process,
using nanometre-thin coatings applied through
chemical vapour deposition. “The process creates
color effects that open up entirely new possibili-
ties,” says Gregory Kissling. The result is a striking
new visual identity for the movements, with deep
blue, anthracite and jet-black tones highlighting
the distinctive architecture of the Tradition col-
lection. The effect is reinforced by the guilloché
barrel cover and the meticulous finishing of every
component. The same attention to detail extends
to the dials. The Tradition Seconde Rétrograde 7037,
offered in white gold or platinum, and the 7097 in
rose gold, pair white or black grand feu enamel
with traditional Arabic numerals, while the plati-
num Tradition GMT 7067 features a dramatic grad-
uated green grand feu enamel dial whose colors
shift subtly with changing light. Completing the
line-up, the diamond-set white-gold Tradition 7038
is distinguished by a black aventurine dial whose
sparkling surface contrasts beautifully with the
movement’s dark finishes.
The second theme of the year unsurprisingly
“revolves” around the tourbillon, Abraham-Louis
Breguet’s landmark invention, patented on 26
June 1801 and destined to become one of haute
horlogerie’s most celebrated complications. Two
hundred and twenty-five years later, Breguet hon-
ours that legacy with several new creations show-
casing different aspects of its expertise. The new
Classique Tourbillon 7357 provides the clearest
tribute, revisiting the reference 3350 introduced
in 1989 as the brand’s first tourbillon wristwatch.
Elsewhere, Breguet continues its exploration of
grand complications with the Marine Tourbillon
Équation Marchante 5887, the Tradition Tourbillon
7047 and the Classique Tourbillon Sidéral 7255.
As Gregory Kissling concludes, “Our objective today
is to restore Breguet’s visibility and return it to the
position it deserves.” Rightly, in watchmaking’s
pantheon.■ Éric Dumatin
1. BREGUET Tradition Seconde Rétrograde 7038.
Set with 58 diamonds around its 37 mm white-gold bezel,
this is the first Tradition to feature a black aventurine
glass dial. Beneath it, the automatic calibre 505SR com-
bines deep black ADLC-treated frosted bridges and main-
plate with a retrograde seconds display at 10 o’clock.
At its center, the barrel cover carries a sunburst guilloché
motif echoed on the half-crown oscillating weight visible
through the sapphire caseback.
2. BREGUET Classique Tourbillon 7357. Inspired by the
manufacture’s first tourbillon wristwatch of 1989, this
35 mm model celebrates the 225th anniversary of the tour-
billon patent. Its hand-wound calibre 187B, an enhanced
version of the renowned calibre 558, is housed in either
platinum or, as shown here, Breguet Gold. Guilloché
decoration takes center stage, with Clous de Paris and
Grain d’orge (barleycorn) motifs on the dial and a new
pattern inspired by the Swiss summit of Dent de Vaulion
adorning the mainplate on the reverse. It also bears the
Breguet hallmark.
16 | WATCH YOUR TIME – USA | FOCUS
F O C U S
The Hundred
Year Epic
Rolex marks the centenary of the Oyster,
a watch “born from an intuition” that
became the blueprint for the modern
wristwatch and one of the defining
icons of twentieth-century horology.
It is the story of one of watchmaking’s
most remarkable journeys.
By Christophe Roulet
At Rolex, even a second matters, a rationale
that explains the installation of an atomic clock
at its Geneva headquarters. The Rolex Rubidium
Atomic Optical Clock was researched and devel-
oped over several years with CSEM, the Swiss
Centre for Electronics and Microtechnology. The
remarkable feature of this “little marvel”, which
uses rubidium-based technology, is its extraor-
dinary performance, said to be up to sixty times
greater than that of existing atomic clocks. Its
stability is without equal. The clock drifts by less
than one tenth of a billionth of a second per day,
equivalent to losing under one second over the
course of a million years. As a result, the first two
Rolex Rubidium Atomic Optical Clocks already con-
tribute to the calculation of Coordinated Universal
Time (UTC), a first for an optical atomic clock. One is
installed in Geneva, another at Switzerland’s Federal
Institute of Metrology (METAS) in Bern, while a third,
destined for Rolex’s Biel facility, will shortly join the
network of around 450 atomic clocks that under-
pin UTC. The implications extend beyond scientific
research. As Rolex explains, “the Manufacture now
regulates and certifies its watches using its own sec-
ond. Thus, for Rolex, it is no longer simply a mat-
ter of keeping time accurately, but of defining it.”
As a claim taken in isolation, that could be dis-
missed as Swiss presumption, but Rolex has earned
the right to make it. Throughout the twentieth cen-
tury, the company pursued a single ambition: to
manufacture watches on an industrial scale while
achieving exceptional standards of precision, reli-
ability and robustness. If the new atomic clock rep-
resents the extreme expression of that intent, the
true heart of the story is the Oyster. Celebrating
its centenary in 2026, the Oyster has built a global
reputation unmatched by any other single watch,
while Rolex consistently ranks among the world’s
most respected and trusted brands. That standing
is no accident. Continuous improvement under-
pins every aspect of the company’s work, but inno-
vation, despite the substantial resources Rolex
invests in it, is adopted only when it delivers a
genuine benefit. At Rolex, meaningful innovation
is always judged over the long term.
The Best Wristwatch in the World
Among Hans Wilsdorf’s many talents, one
stands out: his way with words. The co-founder
of the company that launched the Rolex brand in
1908 famously told a gathering of watch retailers in
January 1927: “Gentlemen, we make the best wrist-
watch in the world!” That bold statement followed
the launch of the Oyster a few months earlier. The
watch embodied Hans Wilsdorf’s vision of a time-
piece designed for a rapidly modernising world, one
capable not merely of accompanying that trans-
formation but of becoming one of its symbols. To
achieve that ambition, however, there had to be
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the performance to match. The Oyster delivered
on this with exceptional precision and, above all,
complete water-resistance, solving two of watch-
making’s most persistent challenges.
Precision came first. At a time of accelerating
change, wristwatches were still uncommon and
widely dismissed as decorative jewelry rather than
serious timekeepers – the compact movements
within being thought too fragile to deliver genu-
ine accuracy. Wilsdorf disagreed. He made preci-
sion his first priority, and history proved him right.
By the 1910s, Rolex watches were already earning
distinction at leading chronometry observatories,
most notably Kew, whose award of a prestigious
Class A certificate confirmed that a Rolex could rival
the finest precision instruments of the day. There
nevertheless remained the problem of the case. As
Hans Wilsdorf repeatedly reminded his technical
teams: “We must create a case whose waterproof
construction permanently protects our precision
movements from dust, perspiration, water, heat
and cold. Only then will the perfect precision of
the Rolex watch be assured.”
Rolex tackled that challenge with equal deter-
mination. Its first solution, introduced in 1922,
proved less than perfect, so Rolex returned to the
drawing board and developed the ingenious sys-
tem of a screw-down bezel, caseback and wind-
ing crown secured to the middle case. The Oyster
waterproof case was born, a breakthrough that
permanently protected the movement from the
elements and laid the foundations for lasting pre-
cision. To prove the Oyster’s capabilities beyond
doubt, Hans Wilsdorf conceived a brilliant pub-
licity coup. He entrusted one to Mercedes Gleitze
for her attempt to swim the English Channel. The
feat was as much human as horological, attract-
ing enormous attention from the British press.
The original Oyster had just one weakness: man-
ual winding required the crown to be unscrewed,
momentarily compromising its waterproof integ-
rity. Several years of development produced the
free-rotor “Perpetual” self-winding system, intro-
duced in 1931. The result was a watch that com-
bined precision, waterproofness and autonomy,
making Wilsdorf’s original vision a reality.
→
1. ROLEX Oyster Perpetual 41. Created to mark the Oys-
ter’s centenary, the Oyster Perpetual 41 features a Role-
sor construction, combining Oystersteel for the case and
bracelet with yellow gold for the bezel and crown. Spe-
cial details include a “100 Years” inscription at 6 o’clock,
green “Rolex” lettering and square hour markers, along
with a crown engraved with the number “100”. The watch
is powered by Rolex’s automatic calibre 3230 and carries
the brand’s Superlative Chronometer certification.
18 | WATCH YOUR TIME – USA | FOCUS
18 | WATCH YOUR TIME – USA | FOCUS
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F O C U S
Proof Positive
Without question, the Oyster Perpetual fun-
damentally changed the course of watchmaking.
As Rolex puts it, chronometric precision remains
essential, most watches are now water-resistant
and the vast majority of mechanical watches are
self-winding. The Oyster set the industry stan-
dard. The qualities of the Oyster were subse-
quently something that Rolex made a point of
demonstrating, another Wilsdorf masterstroke.
What began with Mercedes Gleitze evolved into a
guiding philosophy that could be summed up in a
simple phrase: “proof through testing”. The Oyster
Perpetual soon found its way onto the wrists of
explorers, scientists, athletes, pilots, sailors, moun-
taineers, astronauts and divers, all of them put-
ting their Rolex watches to the test in some of the
world’s harshest environments, from the ocean
depths to snow-covered peaks and even the edge
of space. This “open-air laboratory” generated
invaluable practical experience, enabling Rolex’s
engineers continually to refine their watches in
pursuit of timepieces ever better suited to the envi-
ronments for which they were intended.
The achievements of these remarkable men and
women are almost too numerous to list, each rein-
forcing the reputation of the Rolex on their wrist
as an indispensable piece of equipment. Following
the historic descent of the bathyscaphe Trieste
into the Mariana Trench in 1960, with an experi-
mental Rolex Deep Sea fixed to the exterior of the
vessel, Jacques Piccard sent Rolex a now-famous
telegram: “Happy to report that your watch is as
precise at 11,000 meters as it is at the surface. Best
regards.” Beginning in the 1930s, the Oyster accom-
panied no fewer than fourteen Himalayan expedi-
tions over the following two decades, including the
one that led to the conquest of Everest by Edmund
Hillary and Tensing Norgay on 29 May 1953. At the
head of the expedition, Sir John Hunt wrote in his
report: “The Rolex Oyster watches [...] performed
wonderfully, and we came to regard them as an
important part of our high-mountain equipment.”
The list goes on. The Rolex Oyster Perpetual has
proved itself in every corner of the world to become
the archetype of the tool watch. Over the years,
the model has grown in stature, evolving from a
timepiece renowned for its intrinsic qualities into a
true collection of watches designed for every envi-
ronment and sustained by continuous innovation.
Alongside Rolex’s classic collections, including the
Datejust, Day-Date, Sky-Dweller and the recently
introduced Land-Dweller, came purpose-built
models such as the Submariner, Explorer, GMT-
Master, Milgauss, Air-King, Cosmograph Daytona,
Sea-Dweller, Yacht-Master and Deepsea. These
“professional” models have each been developed
and refined with their own dedicated functions to
meet the uncompromising performance standards
required by Rolex.
“All of the future and the world lay
open before it.”
Modern Rolex is the heir to this extraordi-
nary Oyster legacy. Technically, that inheritance
is reflected in standards that become ever more
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exacting. This year, Rolex has strengthened its
Superlative Chronometer certification by introduc-
ing three additional assessment criteria: resistance to
magnetism, reliability and long-term durability. These
join the four standards established in 2015 covering
precision, water resistance, self-winding efficiency
and power reserve. As Rolex explains: “This certifica-
tion is rigorously verified by independent Swiss organ-
isations recognized internationally. It guarantees the
outstanding performance on the wrist of every Rolex
watch across the seven areas of expertise that now
define watchmaking excellence according to Rolex.”
On the human level, Rolex continues to support
athletes “who shape the history of their sport through
their skill, discipline, technical excellence and ability
to inspire future generations”. From equestrianism
and golf to motor sport, tennis and sailing, the brand
has become an integral part of elite competition. It
has also established a significant presence in the arts,
supporting those “who keep creativity alive, inspire
emotion and contribute every day to the development
of culture around the world”.
Rolex wouldn’t be Rolex without its long-stand-
ing commitment to what it describes as “great human
endeavours” alsoalso continues, particularly proj-
ects dedicated to understanding and protecting our
planet. Since 2019, these initiatives have been brought
together under the Perpetual Planet program, an
ambitious long-term commitment to environmen-
tal stewardship.
Perhaps the entire Rolex story can be distilled
into just two words: Oyster Perpetual. They repre-
sent a century of watchmaking history, a century
of innovation and a century of human endeavour.
Rolex celebrates that remarkable legacy this year with
the Oyster Perpetual 41 in yellow Rolesor, combin-
ing a yellow-gold bezel and winding crown with an
all Oystersteel bracelet. The watch includes details
marking both the centenary and the enhanced
Superlative Chronometer certification introduced
for 2026. Above all, it embodies Hans Wilsdorf’s belief
that with the Oyster Perpetual “All of the future and
the world lay open before it”. A century later, that pre-
diction has proved remarkably accurate. ■
1. ROLEX Oyster Perpetual 36. The Oyster Perpetual 36
joins the centenary celebrations with a Jubilee dial. Its
vibrant composition, built around the letters of the Rolex
name, reinterprets the Jubilee motif first introduced in
the late 1970s. The watch features an Oystersteel case
and bracelet, Superlative Chronometer certified auto-
matic calibre 3230.
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F O C U S
Ahead of the times
What began as the boldest of gambles
has become a remarkable reality. In
just 30 years, Chopard Manufacture
has established itself as one of the
most respected names in contempo-
rary haute horlogerie.
Thirty years ago, Chopard Co-President Karl-
Friedrich Scheufele made what seemed a reck-
less bet for a company still regarded primarily as
a jeweler: to develop and produce movements
in-house. Chopard Manufacture was duly estab-
lished in Fleurier in 1996. Three decades later, with
the anniversary celebrated at Watches & Wonders,
Scheufele’s foresight is clear. In-house movements
have become the ultimate expression of watch-
making expertise, and Chopard’s are among the
most admired.
Independence first
“We started modestly with Michel Parmigiani,
developing our first movement for series produc-
tion,” recalls Karl-Friedrich Scheufele. “That intro-
duced me to Fleurier and its watchmaking heritage,
before we established a production unit there with
just five people. We built everything from scratch.”
Behind that understated account lies one of con-
temporary watchmaking’s great success stories.
At a time when the Swiss industry was still recov-
ering from the quartz crisis, creating an indepen-
dent manufacture was, to put it politely, finan-
cially hazardous and outside commercial logic.
Scheufele carried on regardless. “The ultimate aim
was gradually to achieve watchmaking autonomy
and, in doing so, strengthen Chopard’s position
as an independent family-owned company. And
that was priceless.”
That philosophy was present from the outset
in the L.U.C 96.01-L. Ultra-thin, micro-rotor driven
and equipped with Chopard’s Twin double-barrel
system, the movement carried both COSC certifica-
tion and the Geneva Seal, immediately establishing
a distinctive technical identity. More importantly,
it created a foundation that remains central to the
manufacture.
That continuity is expressed most symbolically
by the L.U.C 1860 Chronomètre unveiled in Geneva.
Its “ideal” 36.5 mm case, delicate guilloché dial and
movement derived from the seminal 96.01-L make
the anniversary watch a statement of intent. Certified
by both COSC and the Geneva Seal, it demonstrates
that elegance underpinned by impeccable engineer-
ing remains central to the L.U.C identity. Alongside it,
the L.U.C XPS Prussian Blue reveals another aspect of
the manufacture’s maturity; its deep Prussian-blue
dial, restrained case and ultra-thin 3.30 mm high
automatic L.U.C 96.12-L calibre combine classicism
and modernity with unusual ease. Delicate, discreet
and persuasive, this is an invitation to discover true
fine watchmaking.
Together, the two watches chart the whole tra-
jectory of Chopard Manufacture, a progress defined
by patient, methodical and coherent expansion.
Chopard has built a complete mechanical universe,
a repertoire encompassing tourbillons, perpetual
calendars, chronographs, minute repeaters and
world time. Today the manufacture employs more
than 220 people and produces 15 base calibres from
which over 150 variations have been developed.
It is an extraordinary vindication of the wager made
30 years ago. ■ Éric Dumatin
1. CHOPARD L.U.C 1860. For 2026, Chopard is celebrat-
ing the 30th anniversary of Chopard Manufacture with a
L.U.C 1860 visible through a sapphire caseback that clearly
recalls the original. The watch is housed in a 36.5 mm
Lucent Steel™ case and features a hand-guilloché gold
dial. The Bleu Areuse dial color evokes the river that flows
through the Val de Travers near Chopard’s manufacture
and the watch carries both COSC chronometer certifica-
tion and the prestigious Geneva Seal.
2. CHOPARD L.U.C XPS Prussian Blue. Another watch
celebrating the Manufacture’s 30th anniversary, the
L.U.C XPS Prussian Blue combines a 1930s-inspired sec-
tor dial with a rich Prussian blue finish. Housed within a
40 mm Lucent Steel™ case is the automatic twin-barrel
L.U.C 96.12-L, another descendant of the original 96.01-L.
It is COSC-certified and also visible through the sapphire
caseback.
KARL-FRIEDRICH SCHEUFELE | CO-PRESIDENT OF CHOPARD
ADVERTISING
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F O C U S
LAURA BURDESE | CEO BVLGARI
Bell’impulso*
At Bvlgari, continuity is the strategy
and with a distinctly long-term out-
look too. That was confirmed with
the appointment, last July, of Laura
Burdese as the company’s new CEO
and is reflected in the brand’s 2026
launches.
Over the years, Bvlgari has carefully constructed
its horological identity, though always with a cer-
tain panache. Continuity remains one of the com-
pany’s defining principles, as Laura Burdese makes
clear following her appointment as Jean-Christophe
Babin’s successor last July. So, does a change of lead-
ership signal a new direction? “Beyond any individ-
ual appointment, Bvlgari is driven by a long-term
vision,” she says. “We draw inspiration from our
heritage, and we combine the art of jewelry artistry
with Swiss watchmaking expertise.”
A Universal Octo Finissimo
More than simply another variation, the 37 mm
Octo Finissimo Automatic marks a significant new
chapter for a collection that has become, in lit-
tle more than a decade, emblematic of contem-
porary watchmaking. Beneath its more compact
proportions lies a movement that required three
years of development: the manufacture BVF 100
micro-rotor calibre. Just 2.35 mm thick, it brings
the Finissimo concept into an almost universal case
size range, nicely attuned to today’s preference for
more wearable proportions. More impressive still,
its overall volume has been reduced by around
20 percent compared with the movement used in
the 40 mm model. That achievement owes much to
the miniaturization expertise Bvlgari developed for
its Serpenti calibres, notably the manually wound
BVL 100 Piccolissimo (12 × 2.50 mm) and the auto-
matic BVS 100 Solotempo (19 × 3.90 mm).
This technical crossover between Bvlgari’s wom-
en’s and men’s collections perfectly illustrates Laura
Burdese’s vision. “Rather than competing with one
another, our watchmaking and jewelry divisions are
completely complementary. They are the two heli-
cal strands of the same DNA. Particularly in today’s
market, our priority is to reinforce what makes us
different and to express our creativity. The new
Octo Finissimo is an excellent example. Its distinc-
tive, highly architectural design answers a genu-
ine demand while creating new opportunities for
Bvlgari among both women and men.”
Watchmaking Legitimacy
If Octo Finissimo expresses Bvlgari’s watch-
making expertise, Serpenti continues to embody
the brand’s eternal feminine. Alongside the lavish
new Serpenti Seduttori models, two further inter-
pretations of the maison’s iconic serpent demon-
strate Bvlgari’s ability to unite design, craftsman-
ship and innovation. With the Serpenti Tubogas
Studs Capsule, Bvlgari revisits one of its boldest
signatures by combining gold and steel. Even more
dramatic is Serpenti Aeterna, which transforms
the serpent into an almost abstract artistic form.
Crafted in fully gem-set rose gold, it distils the rep-
tile to its purest symbolic expression.
“That is what defines Bvlgari,” Laura Burdese
concludes. “We have earned a reputation for chal-
lenging convention, while developing excep-
tional expertise in shaped watches and high jew-
elry. Over the past few years, Bvlgari has also
established genuine watchmaking legitimacy.”
■ Éric Dumatin
*Beautiful Impulse
1. BVLGARI Octo Finissimo 37 mm. Reduced to a uni-
versally wearable 37 mm, the Octo Finissimo has been
comprehensively updated inside and out. Visible through
the sapphire caseback, the new automatic calibre BVF
100 measures just 2.35 mm thick and features distinctive
radiating Geneva stripes across its bridges and mainplate.
Shown here in full yellow gold, the case, dial and bracelet
are all crafted from the precious metal.
2. BVLGARI Serpenti Seduttori Automatic. Powered by
the miniature Lady Solotempo BVS100 automatic calibre –
just 19 mm in diameter, 3.90 mm thick and weighing only
five grams – the Serpenti Seduttori welcomes two new
pink-gold interpretations. The version shown here is lav-
ishly set with diamonds, from the bezel with its 36 bril-
liant-cut stones (0.6 carats) to the bracelet, which carries
a further 117 brilliant-cut diamonds totalling 2.8 carats.
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BREGUET Type XX Chronographe
2075. Inspired by the civilian Type
XX introduced in 1955, this flyback
chronograph faithfully retains its
38.3 mm proportions. The Breguet
Gold case houses the hand-wound
calibre 7279, while the sapphire
caseback reveals a finely executed
hand engraving featuring the leg-
endary Breguet 19 aircraft in flight.
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o, who better than the author to attest
to the pilot’s urgent need for precise
and reliable cockpit instruments, wrist-
watches included.
Born in Burbank, California, Richard Drury
served on active duty in the United States Air
Force from 1965 to 1988 before transferring to
the reserves. His was a life spent in the air, a
career that was crowned by the Silver Star, one of
the United States military’s highest decorations.
As we know, it was the needs of pilots like him
that drove innovation in the watch industry –
a relationship that was there from the very start of
precision timekeeping, the military always requir-
ing precise, robust instruments that kept pace
with the technology of war.
And this reasoning holds true for clothing and
personal kit, most particularly for watches, which
so often had a vital role to play in executing tactical
and strategic plans. Obviously, what applies to the
coordination of ground operations or navigation
at sea becomes more urgent and elevated where
aircraft are concerned. As Captain Drury noted,
the pursuit of perfection, however legendary it
may seem to us, has nothing to do with romance;
it is simply a matter of life and death.
Until now, aviation has been the epitome of
advanced military capability, fast, complex and
utterly reliable, qualities that must extend to every
cockpit instrument, watches included. By measur-
ing everything related to time, watches delivered
functions vital to aerial navigation in the broadest
sense — from flight endurance and the duration
of target operations to orientation and the time
zones crossed en route.
Where military watches were generally defined
by robustness, precision and the immediate leg-
ibility of a strongly contrasted dial as with lumi-
nous hands, indices or numerals against a black
dial, those used in flight often needed something
more: finer divisions of time and measurements
that could be triggered on demand such as chro-
nograph functions and, even more usefully, chro-
nographs fitted with a flyback function.
→
This quotation, a starkly appropriate
starting point for reflection in this article
on pilot’s watches, comes not from a writer
or historian, but from a pilot who lived
through the great age of military aviation,
an era in which the significance of air
power advanced rapidly having proved
decisive in the Second World War.
“A pilot lives in a world of perfection or
does not live at all.”
Richard S. Drury (1943 – 2024) in My Secret War (1979)
By Paolo De Vecchi, Watch Editor
S P O R T
Conquest
of the Skies
PANERAI Luminor PAM01735.
Drawing heavily on the iconic
1960s reference 6152/1, this
hand-wound model embraces a
distinctly vintage aesthetic. The
47 mm case, domed crystal and
ivory dial that gradually dark-
ens towards the edge all evoke
the appearance of prized trop-
ical dials.
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Longines patented the first flyback chronograph
in 1936. With a single pusher action, rather than
the usual three, the flyback feature stops, resets
and restarts the chronograph in one step, allowing
successive measurements without losing a frac-
tion of a second. This was ideally suited to aerial
navigation, which is conducted in segments and
where seconds lost can have dire consequences.
The value of the flyback was made explicit by
the French Ministry of Defence whose Type 20
specifications, set out in the early 1950s, made a
point of requiring the function.
Among the watches it selected was the Breguet
Type 20, which gave rise to a civilian version the
Type XX, a model with successors that are still
part of the collection today.
IWC’s Pilot’s Watches had their own distinctive
features, again in response to government spec-
ifications including the soft-iron inner cage that
functions as a Faraday cage responding to shield
the movement from magnetic fields, a shatter-proof
crystal and lubrication that could work at tempera-
tures from – 40°C and + 40°C, no small advantage
in the unheated cockpits of the day.
While IWC began producing Pilot’s Watches in
1936, its most celebrated example came in 1948:
the Mark 11, commissioned for the Royal Air Force
and produced until the early 1980s, it was also
supplied to other Commonwealth armed forces.
A civilian successor, the Mark XII appeared in 1994
and, like the Type XX, it launched a long line of
pilot’s watches and is now the Mark XX.
Breitling — official supplier to the Royal Air
Force from 1936 and to the US Air Force from 1942
— made its mark in 1952 by fitting a slide rule to its
emblematic Navitimer. The device handles mul-
tiplication, division and proportions, along with
calculations of distance, time and speed, making
calculations to work out fuel consumption, range
or flight times simple and precise – tasks that are
now satellite-linked and automated.
→
1. ROLEX Oyster Perpetual Cosmograph Daytona. The
legendary chronograph is presented for the first time in
Rolesium, combining Oystersteel with platinum. A new
anthracite Cerachrom bezel complements the white
enamel dial, while the automatic calibre 4131, fitted with
a yellow-gold oscillating weight, can be admired through
the sapphire caseback. Superlative Chronometer certified.
2. RICHARD MILLE RM 41-01 Tourbillon Soccer.
Designed specifically for football, this hand-wound tour-
billon combines a patented flyback chronograph with a
match-period indicator and twin goal counters, allowing
every stage of the game to be tracked mechanically. Two
editions of 30 pieces are offered, including the dark-blue
Quartz TPT® version shown here.
3. AUDEMARS PIGUET Royal Oak Offshore Selfwinding
Chronograph. The 43 mm flyback chronograph receives a
fresh look with a titanium case complemented by a black
ceramic bezel, crown and pushers. A smoked-green PVD
Méga Tapisserie dial is paired with an interchangeable
gray-green rubber strap, while the automatic calibre 4401
is revealed through the sapphire caseback.
4. CHOPARD Mille Miglia Classic Chronograph Patina.
Chopard combines DLC-treated Lucent Steel with an arti-
ficial wearing process for the first time, creating a patina
inspired by the authentic worn look of historic racing cars.
The 40.5 mm automatic chronograph features a sapphire
caseback and a copper-colored dial beneath a vintage-style
box crystal. Limited to 100 pieces.
5. BREITLING Navitimer B01 Chronograph 43 Tribute to
Concorde. Limited to 593 pieces, this Navitimer celebrates
the legendary Concorde with a blue dial inspired by the
stratosphere as seen from the aircraft, white sub-dials and
slide rule recalling the aircraft’s French nickname, “l’oi-
seau blanc” (White Bird) and commemorative engravings
including “Tribute to Concorde” on the caseback.
6. TAG HEUER Carrera Split-Seconds Chronograph.
TAG Heuer’s manufacture split-seconds chronograph
appears in an all-new 42 mm titanium case fitted with
glassbox crystals. The automatic TH81-01 calibre is visi-
ble both through the sapphire caseback, where its signa-
ture chequered motif can be seen, and through the trans-
parent sapphire dial itself.